Showing Records: 161 - 180 of 263
myesis (Vol.1) / Leftwich, Jim ; Sollers P ; Ranier Y ; Coolidge C ; Monk M ; MacLow J ; Knowles A ; Corner P ; Beckett S ; Xenakis Y ; Basinski M ; Was E ; Barthes R ; Waldrop R ; Feinstein R ; Cage J ; Malevich K ; Tinguely J ; Kelly R ; McCaffery S ; Olson C ; Perloff M ; Gaze T ; Bennett JM ; Vassilakis N ; Andrews B ; Silliman R ; Antin E., 2006
myesis signifies layers and stages of fragmentation. Chapters or sections as fragments of the book; paragraphs as fragments of chapters; sentences as fragments of the paragraphs; phrases as fragments of the sentences; words as fragments of the phrases; letters as fragments of the words. I read the empty spaces. Myesis is an excessive, minimalist writing. Leftwich interweaves Greek mythology, Judaism, comments on music and performance with language poetry and the rules of poetry . He provides several long quotes from contemporary poets. -- Source of annotation: Marvin or Ruth Sackner.
myesis (Vol.2) / Leftwich, Jim ; Coolidge C ; Perloff M ; Jabes E ; Silliman R ; Nichol bp ; Gaze T ; Dotremont C ; Bataille G ; Rauschenberg R ; Olson C ; Ginsberg A ; Klein Y ; Heidegger M ; Antin E ; Barone D ; Basinski M ; Berry J ; Manfredini F ; Bennett JM ; Sollers P ; Abulafia A., 2006
myesis signifies layers and stages of fragmentation. Chapters or sections as fragments of the book; paragraphs as fragments of chapters; sentences as fragments of the paragraphs; phrases as fragments of the sentences; words as fragments of the phrases; letters as fragments of the words. I read the empty spaces. Myesis is an excessive, minimalist writing. -- Source of annotation: Marvin or Ruth Sackner.
Notes For (from) Chamber Music / Cobbing, Bob., 1966
This handwritten manuscript is subtitled "how it all began." -- Source of annotation: Marvin or Ruth Sackner.
Nothing By Mouth / MacCormack, Karen ; McCaffery S., 1984
Nox / Silliman, Ron ; Waldrop R., 1974
This book was printed by Rosmarie Waldrop. -- Source of annotation: Marvin or Ruth Sackner.
-ocracy Parts 5-7 / Murphy, Sheila E. ; Ganick, Peter., 1997
The contents of each duplicate copy are identical, but their covers differ in design and color. -- Source of annotation: Marvin or Ruth Sackner.
one cent: (2 from) Zoon's Yllad. No.375/Feb / Ken Fox., 2006
This is a variant because of a repair line on last page. -- Source of annotation: Marvin or Ruth Sackner.
Open House / Weiner, Hannah ; Durgin PF ; MacLow J ; Watten B ; Bernstein C., 2007
Ow's Waif and other poems / McCaffery, Steve., 1975
The poems were composed from found texts that were altered by McCaffery as a result of chance operations. The colored concrete poems on several pages scattered throughout the book that employ large and varied typefaces were designed by Robert MacDonald. -- Source of annotation: Marvin or Ruth Sackner.
Ozone Allah / Moe, H. David ; Hirschman J., 1978
Jack Hirschman contributed the preface to this book. The poems are very dense and appear to be written as a stream of consciousness. -- Source of annotation: Marvin or Ruth Sackner.
page / Weiner, Hannah., 2002
The book has three long poems, Page, Articles, and Same Page and was published posthumously. Weiner was born in 1928 and died in 1997. These poems are written in the experimental style of David Antin. -- Source of annotation: Marvin or Ruth Sackner.
Paradise / Silliman, Ron ; Waldrop R., 1985
This book was printed by Rosmarie Waldrop. -- Source of annotation: Marvin or Ruth Sackner.
Parts a Plomb / Harris, Ken ; Lasley, Rebecca Graham., 1996
The poetry by Ken Harris is similar is style to the work of John M. Bennett. The graphics are manipulated images by R.G. Lasley mostly incorporating text and abstractions. -- Source of annotation: Marvin or Ruth Sackner.